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 |  William Grant Still Music
 & The Master-Player Library
 
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 TROUBLED ISLAND PREMIERE
 Production Timeline
 
 
 Realizing a premiere for Troubled Island was a labor of the heart that took almost a decade and a half for William Grant Still to complete. Yet, ironically, Troubled Island's premiere
 in 1949 was both the greatest triumph and the greatest defeat in the 
composer's career, and, perhaps, in the history of American music.
 
 William Grant Still had dared to tread into 
territory that was closed to individuals of his race and those who 
dominated the realm of elitist grand opera were not going to allow his 
interference.   "Ultimately, it was both the genius and the 
uniqueness of Troubled Island that had inspired jealousy among the critics... ."   (John Kniest, Music Producer)   As a result, Still's Troubled Island has been denied its deserved presentation to this day.
 
 
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 1936
 William Grant Still solicits the help of Harlem 
Renaissance poet and writer Langston Hughes to write the libretto for 
his latest opera project, Troubled Island.
 
 1937
 Langston Hughes moves to Spain in order to provide 
newspaper coverage for the Spanish Civil War, abandoning Still's 
incomplete opera project.   Stills pianist-journalist wife, Verna 
Arvey, steps in to complete the unfinished libretto for the opera.
 
 1939
 Still completes Troubled Island, and, begins the struggle of securing a production.
 
 1943
 Laszlo Halasz becomes the General Director of the New York City Center.
 
 1944
 Conductor Leopold Stokowski, Still's friend and life-long advocate, secures the promise of a production for Troubled Island by
 the New York City Opera company, and, he plans for a premiere in March 
1945. Stokowski establishes a fund at the New York City Center to 
produce the opera with the support of New York Mayor Fiorello LaGuardia 
and First Lady Eleanor Roosevelt.
 
 Early 1945
 NYCO executives deem that sufficient funds are not available to produce Troubled Island in March 1945, as planned. The opera's premiere is rescheduled for the Fall of 1945.
 
 October 1945
 Leopold Stokowski resigns as Music Director from the New York City Center under questionable circumstances.
 
 Early 1946
 Board of Directors at the New York City Center 
delay the operas production, once again, stating insufficient funding as
 the reason.
 
 July 1946
 Laszlo Halasz advocates the renewed production efforts for Still's Troubled Island.   Halasz and Still begin pre-production discussions and planning.
 
 Late 1946
 New York City Center, again, tells Still that there are insufficient funds to produce Troubled Island,
 even though the Center has ample funds to produce other works by 
foreign composers, such as those by Strauss and Giordano. Still asks the
 NYCC to return the donations to the Troubled Island Fund since the 
Center has not made a definitive commitment to the opera's production.
 
 May 1948
 Halasz writes to Still asking for his approval to schedule Troubled Island for a premiere in October 1948.   Halasz and Still renew their pre-production activities.
 
 August 1948
 Halasz postpones the premiere of Troubled Island until March 1949 due to the appearance of the NYCO company for the Chicago Opera in December 1948.
 
 March 31, 1949      * OPENING NIGHT *
 Troubled Island opens to a capacity audience which rewards the composer with 22 curtain calls.   The production is a resounding success.
 
 The days following
 Critical reviews are almost unanimously negative 
towards the composer's work and the production, but are otherwise 
courteous towards the New York City Opera company.
 
 April 1, 1949
 Troubled Island's second premiere performance is held.
 
 May 1, 1949
 Troubled Island's third, and final, premiere performance is held.   Future performances are withdrawn from production.
 
 
 
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